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An optical enlargement of a film from one gauge to another, such as 16mm up to 35mm. The opposite of a blow up is a Reduction Print.
One of the more widely used 16mm non-sync cameras, it is made in Switzerland by the Paillard Company. There are many varieties, non-reflex, reflex, springwound and electric motor driven. But when someone says “Bolex,” typically they mean a reflex, springwound model, such as the Rex-4.
A white or silver card used for soft indirect lighting of the subject by bouncing light off the card. Can also be used to provide a gentle brightening of shadow areas. Especially out-of-doors as it does not require power.
The filming of several takes of the same shot at different f-stops to achieve the desired result. Usually this technique is applied to shooting titles much more than anything else. (It is a good idea to film a few frames of black in-between, since it is sometimes difficult to tell where the camera was stopped.)
A screw mount type of lens, commonly used on smaller 16mm cameras, like the Bolex.
A type of light stand with fixed legs that swing out, or together when not in use, usually equipped with an arm, and typically used to hold a flag.
Abbreviation for Camera Roll.
C.T.B. stands for Color Temperature Blue. This is an abbreviation for the color correction gels used in lighting to convert the color temperature from tungsten to daylight. They come in gradients: Quarter Blue, Half Blue, Full Blue.
C.T.O. stands for Color Temperature Orange. This is an abbreviation for the color correction gels used in lighting to convert the color temperature from daylight to tungsten. They come in gradients: Quarter Orange, Half Orange, Full Orange.
A somewhat archaic method of sync sound shooting, where a cable runs from a Pilottone generator in the camera to the tape recorder.
A 2 inch Core.
The sound of the camera running. Even supposedly quiet cameras will make some noise.
A slightly more adamant way of saying Original.
A form of paperwork used to log shots and takes and put down any notes either to the lab or for future organization in the editing stage. There is generally one camera report per camera roll. Camera reports can be used to communicate specific timing requests to the lab (for instance, if a shot if lit with unusual color gels, this can be noted to let the timer know not to correct the color). Camera reports are extremely helpful to analyze any problem with the footage, since they provides a written record of the coverage (the least of which is that if the slate has the wrong information written on it, which happens now and then, a note can be made in the camera reports to keep the assistant editor from getting confused about which take is which).
Each roll that you shoot becomes a camera roll. It is often helpful to label them with a number in the order that they were shot. The usual way is with the abbreviation C.R. followed by a number. The lab will then assemble and print them in that order. This makes things less confusing when you first get back your footage.
