The cinematographer is literally the set magician. DPs are responsible for the technological wizardry it takes to create the needed light and shape it for desired artistic effect.
The DP works side-by-side with the director from the beginning of the film’s conception to help DIRECT the PHOTOGRAPHY. The DP is the director’s partner, confidant and, at times, only friend on the set. The DPs help to come up with shots, run the crew and look for ways to make every image better than expected. It’s a never-ending quest that only gets more interesting with experience.
As an apprentice (extern) cinematographer, the Film Connection will pair you with a working DP who will not only show you the tricks of the trade, but also serve as a mentor to develop the “eye of the DP.” The eye is something that no book can teach you and no professor can lecture you on – you have to learn it by doing.
This is your curriculum.
Lesson 1: Rule of Thirds
This lesson teaches basic framing within the lens, including how to frame your actors and setting in the most aesthetically appealing manner possible.
Lesson 2: Basic Lighting
Lesson 2 emphasizes three-point-lighting, the most common and practical way to light a scene and give a true cinematic look and feel to your shot.
Lesson 3: T-Stops and F-Stops
This chapter focuses on the technical aspects of the camera and introduces the all-important ‘f’ and ‘t’ stops that are on every lens. In this chapter, students will learn what ‘f’ and ‘t’ stops are and how they influence light and the lens.
Lesson 4: Depth of Frame
Every DP needs to understand how to frame a shot; however, to create a truly beautiful shot, the cinematographer must bring depth to the frame. This chapter will explain how to optimize beauty and depth within a frame.
Lesson 5: Aspect Ratio
A comprehensive lesson that examines the history of aspect ratio, how it has evolved through cinematic history and where it stands today.
Lesson 6: Shot Sizes
An in-depth look at the standard shot sizes used relative to the human body. This lesson will describe each shot size and type in detail, providing both descriptive and pictorial representations of how shots should be framed relative to the subject.
Lesson 7: Frame Rate
Students will explore how different frame rates affect the look of the image. Additionally, students will be given a brief history of how frame rates developed during the earlier days of motion picture film.
Lesson 8: Final Assignment 1
Students will take the cumulative knowledge they’ve gained in prior lessons and shoot their own ‘experimental documentary’ utilizing all the skills they’ve learned from prior lessons.
Lesson 9: Final Assignment 2
Students will learn how to communicate practically with directors in order to understand the director’s vision, but will also learn how to integrate their own creative ideas with the director’s.
Lesson 10: Final Assignment 3
Cinematography students will collaborate with fellow Film Connection directing students who are also studying in their local area. This collaboration will be in the form of a full scene, shot from the director’s script and under full control of the director and cinematography student. This project will enable cinematography students to implement and utilize every skill learned throughout the curriculum in a true, on-set manner. Additionally, it will give the cinematography student high quality footage to add to his/her professional reel.
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The Film Connection film school alternative is endorsed by filmmakers who are making the movies you love.
Professionals in the film business—including many of the famous producers, screenwriters and directors who’ve worked on the films that inspire you—endorse Film Connection’s programs for one simple reason: they know our immersive hands-on method works.
Marc is an accomplished executive with a consistent record of managing costs, measuring progress with metrics and creating operational efficiencies. He’s a thoughtful and enthusiastic professional possessing the ability to create a vision, gain executive alignment and effectively lead dynamic high performance teams for success.
Jason Hewitt, a native of Louisiana, left the technology industry to join the film and television industry. Hewitt was an early mover in the Internet economy, founding the website creation and marketing management company Planet Symphony in 1994.
David’s stage and studio clients include: Bravo, “Queer Eye for the Straight Guy”, Sex & The City, American Cancer Society, Clairol, Law & Order â€“ Criminal Intent, Amazon, Verizon, VH1, The History Channel, MTV, Director’s Guild of America and many many more.
Carl Millender born in Shreveport, Louisiana on March 5, 1970 is a pioneer in the film and television industry. In 1990 Carl Millender became a cultural consultant for NBC’s new programs, including “The Fresh Prince of Bel-air”, “Seinfeld”…
Equal parts MacGyver, Steven Spielberg and Gandhi, Brian has ideas. Ideas about marketing, ideas about communication and ideas about fixing just about anything that might be broken. When he’s not sharing his ideas with clients you can usually find him fixing things at his own home or eagerly searching for things that may need fixing…
“Film Connection truly is the ‘Film School of Hard Knocks.’ It helps new students to gain experience and network and teaches one thing I always preach to young filmmakers: practicality. It gives new students and would-be filmmakers, writers and editors, a chance to connect personally with their mentors.”
Richard Berg is an Art Director’s Guild and Emmy nominated Production Designer. He is responsible for the Production Design of CSI: Crime Scene Investigation, CSI: Miami, Eleventh Hour, Miami Medical, Chase and Modern Family. Berg is also an architect.
Great program. I’m proud to be a part of it.” Jeff has worked on over 200 film sets and has been a Set Decorator on hit movies, “Dude Where’s My Car”, “Nurse Betty”, “Blade 2”, “Beautiful”, “She’s All That” as well as TV shows “Modern Family”, “Trust Me” and “Miami Medical”.
“Our first apprentice (extern) in this program was put right in the middle of the action and it was amazing how he was able to learn by doing. This Film Connection is great for people with a sincere interest in this field. Our apprentice (extern) turned out to be a reliable resource and we hope […]
“Being paired with working professionals and established companies allows up-and-coming artists to learn on the job, introduces them to the realities of film production, and helps them acquire the tools needed to become successful. Two of our current staff are graduates of the Film Connection.”
During his tenure at CCH, Heppe was hired by legendary producer David Foster (The Getaway, Short Circuit, The Mask of Zorro) and quickly climbed to the position of Head of Development where he became involved with Foster’s productions: Collateral Damage starring Arnold Schwarzenegger, Hart’s War starring Bruce Willis and Colin Farrell, and The Core starring Aaron Eckhart and Hilary Swank.
As a hyphenate Producer/Director/Writer/Actor, some of Heppe’s work includes: Production of the docu-drama The Magic Was In The Music, a remake of Short Circuit, adaptations of the 80’s television mini-series V and cop series T.J. Hooker, among others. As an actor, he’s starred in such stage productions as You Can’t Take It With You, Life On The Bowery, Dracula and Picnic at Hanging Rock – several of which he directed.
I began TAPROOT with a passion to create inspiring film and video content that would move people and maybe even make the world a little bit better place. There are projects that TAPROOT pursues and develops based on our interests, but I’m a firm believer that we all have our callings, and that collectively we can have the biggest impact. As a result, TAPROOT partners with businesses, agencies, and other organizations that are doing important work, helping them tell their stories and share their ideas through cinematic filmmaking.
Our team has a multi-disciplinary background that enables us to understand and compellingly translate your messages and ideas to the visual medium of film and video, and we create and execute projects of varying scale from start to finish. I run TAPROOT and provide direction on all our projects, which include: story-based branded content, television commercials, web based video of all sorts, and film series.
If you care about how you’re presenting your work to the world and want to do so in an honest, inspiring manner – we’d make a good match.
Keith Golinski of Fulvew Productions is a Director of Photography, editor and producer. He’s best known for his work on America’s Most Haunted (2013), Talking Dead (2005), and An Ordinary Killer (2003).
UFC 111 fight – Cinematographer, Animal Planet – Most Outrageous – 3 documentaries – EA Sports international commercials Kyrie Irving – NBC – HBO – Full flight features – Very astute cinematographer – Worked on film “21” – Edited TV series “Folk Lorist” – Extreme Makeover – AD Bo Burnham – International campaigns for Coca Cola
The BSP editing facility sets the standard for editing in Colorado. Three video edit suites utilize “Premiere Pro CS6”, “Final Cut Pro” and “DaVinci” and project Panasonic High Definition 1080p images on to 110” Stewart Screens.
Following a spirited and notorious adolescence in Northeastern Pennsylvania, Joe did a stretch at New York University and ended up spending nearly a decade as an accomplished part of the New York City’s lively film and TV industry. During this time, he racked up credits ranging from producing feature films premiering at international film festivals to directing and producing content for a variety of national cable television networks. His most recent film is the locally-shot award-winning feature Forged. Joe is an active board member on the boards of Dress for Success, The Scranton Club and the American Advertising Federation of NEPA. Joe is also a member of the National Academy of Television Arts and Sciences, the American Association of Political Consultants, and two time Pollie award winner.
John Lux is the Chief Operating Officer for the IDEAS media and experience design company, which employs film program graduates nationwide. The projects his company handles stretch from Florida, to Europe, and as far as Shangai, China.
Rebecca Ramon hails from Battle Creek, MI and is a proud Midwestern girl. She believes that’s exactly what keeps her down to earth and youthful. With a BA in Broadcasting & Cable production from Western Michigan University, and an MFA in Film Production from Chapman University, one of the top ten film schools in the nation, she’s definitely standing on her own two feet. Not only does Rebecca have a formal education, her mentor for post production was Paul Seydor, a member of ACE; the honorary society of motion picture editors. Paul edited movies such as “White Men Can’t Jump” and “This Christmas”. In other words, she has learned from the best, and has over ten years of experience, which ranges from pre-production to post-production in several mediums. Most importantly, she has the passion to share her knowledge as a mentor.
Greg Freeman is an award-winning Director of Photography with nearly two decades in news, sports, entertainment, special programming, documentaries, and commercials. Greg has directed projects for nearly every major television network including ABC, Discovery, ESPN, HBO, HGTV, NBC, PBS, and more.
Steve is an award winning producer, director and writer of over 250 films, documentaries, television shows and home video properties, including specials from the Olympics, Super Bowls, World Series, NBA and NCAA Championships, and college football bowl games.
Avery O. Williams works steadily in both the film and theater worlds. He is the co-writer of the feature film Directing Eddie starring Valerie Perrine and Jade Barrymore, directed by Lawrence Kaldor which premiered at the 2001 Sundance Film Festival and was voted Best Comedy at the 2001 New York International Independent Film & Video Festival. He wrote and directed the industrial film for the City of Atalanta entitled Surviving Domestic Violence and he wrote and co-produced the film short The Willie Witch Projects, which was showcased at the 2000 Cannes Film Festival and is distributed by Trimark Pictures in their compilation entitled The Bogus Witch Project. Other short subject screenplays that have been made into films include Notes In A Minor Key, The Willie Witch Projects and The Chocolate Factory, Part 1.
Past productions include LMN’s Monstresses; Investigation Discovery’s Cuff Me If You Can; America’s Most Haunted and UFO’s Crashed my Vacation; America’s Most Secret and I Faked My Own Death for Discovery; National Geographic’s 42 Ways to Kill Hitler and Don’t Try This At Home; Vampire Secrets and Ancient Ink for The History Channel; Las Vegas Bikers for truTV; Weather Channel’s Full Force Nature; True Confessions for WE-TV as well as Beyond Death and Investigative Reports for A&E.
“All aspects of filmmaking are primarily experiential, so a program like this one gives the students what they need most- the opportunity to DO.” — Matthew Temple, Producer of “The Advocate” and Universal’s “Dragon Nest: Warriors’ Dawn”
Matthew Temple has long stood at the crossroads of art and social action–his work and passion split between telling stories and participating in the creation of new paradigms wherein new stories for the future can be created. As a storyteller, he works as a screenwriter, director, producer and actor. As a social entrepreneur, he is the founder and president of the non-profit WeStrive, where he is the executive director of the Wandering Reel Traveling Film Festival. Temple is currently VP of Production and Development for Mili Pictures Worldwide.
Nick is your basic military brat. Except for the fact that neither of his parents were actually in the military. But, like many military families, his family moved several times during his youth, living in Omaha, Chicago, and Minneapolis among other places. And although he wasn’t living on military bases, he developed a deep interest in History, and all things military. Ask him about the Battle of Tarawa in 1943, and you may just get an entire lesson on the Pacific Theater of World War II. When he’s not painting tanks for his war game simulations, Nick works here. He shoots video. He edits video. He talks about World War II. A lot. Anyone who comes into contact with Nick will become much better versed in the history of mankind and all the wars it has produced over the years. Nick provided 50% of the formula that founded Full Effect Productions over 18 years ago, and has played a vital role in its success. Nick is a 1987 graduate of the University of South Dakota, and his previous experience includes working at a local TV station as Commercial Videographer/Producer. Not taking a cue from his parents, Nick has decided to keep his family in one city, and has called Sioux City, Iowa home since 1988. He has a wife of 29 years and an adult son and daughter. In his free time, Nick can be found studiously painting small military ships, tanks and airplanes. He has amassed large numbers of these items that comprise entire military units used for battles at the MAGECON gaming convention. He’s a film buff who’s recently installed home theater has him positively giddy, and hardly ever seeing daylight.
Coursework is delivered via distance education and completed at a location determined by the student. Apprenticeship (Externship) locations can be up to 60 miles away from the student’s address. The apprenticeship (externship) mentor will work with each student on structuring a specific schedule, the student agrees that he/she will be available to meet with the mentor for a minimum of two sessions per week.”