Program: Film Connection for Film Production & Editing

Film Production & Editing

The Film Connection film externship program – study directing, producing, screenwriting in the business without going deep in debt.

Film Connection provides unique, mentor-based programs that are affordable, so you can stay in control of your finances.

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Director / Producer / Screenwriter Program

The late and great film director Stanley Kubrick (Spartacus, 2001, Dr. Strangelove, Clockwork Orange, The Shining, Eyes Wide Shut, and more) described film directing as, “Trying to write War and Peace in a bumper car at an amusement park…”

The film director is in charge of the creative aspects of a film, ensuring their vision of the story gets to the screen in the face of constant chaos. Are you up to the challenge?

If film directing is for you, the Film Connection can help you obtain the necessary skills for becoming a professional director.

With us, you will study inside a real film production company in your city as you develop your movie idea through private instruction with a professional filmmaker.

Then you will fly to Los Angeles or New York to pitch your idea to an executive who could buy or get your movie idea made.

What you will learn
as an extern of this program:

DIRECTING/SHOOTING:

  • Shot blocking
  • Working with Actors
  • Lighting
  • Grip and Electric
  • The Art of the Interview
  • How to Make your Day

WRITING:

  • How to Pitch a Movie Professionally
  • How to Develop an Idea
  • How to Write a Treatment
  • Screenwriting

PRODUCING:

  • Budgeting
  • Financing
  • Deal Making
  • Contracts, Permits, Licensing

Apply Now

Get Educated,
Get Access,
Get Hired.

With the right experience and connections, you can jumpstart your career in the film industry.

Please fill out the following information, and Admissions will contact you:


* Not all programs are available in every state. Consult an Admissions Representative to learn more.

Connections Matter

Learn From Industry Pros

The Film Connection film school alternative is endorsed by filmmakers who are making movies, maybe even the movies you love.

Professionals in the film business—including famous producers, screenwriters and directors—endorse Film Connection’s programs for one simple reason: they know our immersive hands-on method works.

Mark Kohn

Marc is an accomplished executive with a consistent record of managing costs, measuring progress with metrics and creating operational efficiencies. He’s a thoughtful and enthusiastic professional possessing the ability to create a vision, gain executive alignment and effectively lead dynamic high performance teams for success.

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Jason Hewitt

Jason Hewitt, a native of Louisiana, left the technology industry to join the film and television industry. Hewitt was an early mover in the Internet economy, founding the website creation and marketing management company Planet Symphony in 1994.

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David Fuhrer

David’s stage and studio clients include: Bravo, “Queer Eye for the Straight Guy”, Sex & The City, American Cancer Society, Clairol, Law & Order – Criminal Intent, Amazon, Verizon, VH1, The History Channel, MTV, Director’s Guild of America and many many more.

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ICM Partners

and RRF have donated to the Hide & Seek Foundation’s SOAR (Support of Accelerated Research).

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Carl Millender

Carl Millender born in Shreveport, Louisiana on March 5, 1970 is a pioneer in the film and television industry. In 1990 Carl Millender became a cultural consultant for NBC’s new programs, including “The Fresh Prince of Bel-air”, “Seinfeld”…

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Brian Glazen

Equal parts MacGyver, Steven Spielberg and Gandhi, Brian has ideas. Ideas about marketing, ideas about communication and ideas about fixing just about anything that might be broken. When he’s not sharing his ideas with clients you can usually find him fixing things at his own home or eagerly searching for things that may need fixing…

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Sam Borowski

“Film Connection truly is the ‘Film School of Hard Knocks.’ It helps new students to gain experience and network and teaches one thing I always preach to young filmmakers: practicality. It gives new students and would-be filmmakers, writers and editors, a chance to connect personally with their mentors.”

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Alex Keledjian

Producer of Project Greenlight

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Richard Berg

Richard Berg is an Art Director’s Guild and Emmy nominated Production Designer. He is responsible for the Production Design of CSI: Crime Scene Investigation, CSI: Miami, Eleventh Hour, Miami Medical, Chase and Modern Family. Berg is also an architect.

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Jeff Kushon

Great program. I’m proud to be a part of it.” Jeff has worked on over 200 film sets and has been a Set Decorator on hit movies, “Dude Where’s My Car”, “Nurse Betty”, “Blade 2”, “Beautiful”, “She’s All That” as well as TV shows “Modern Family”, “Trust Me” and “Miami Medical”.

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Luis Estrada

“Our first extern in this program was put right in the middle of the action and it was amazing how he was able to learn by doing. This Film Connection is great for people with a sincere interest in this field. Our extern turned out to be a reliable resource and we hope his experience […]

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Matt Pellowski

“Being paired with working professionals and established companies allows up-and-coming artists to learn on the job, introduces them to the realities of film production, and helps them acquire the tools needed to become successful. Two of our current staff are graduates of the Film Connection.”

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Schedule a Tour

Visit a Film Production Company
In Your Area

Please fill out the following information, and Admissions will contact you:

* Not all programs are available in every state. Consult an Admissions Representative to learn more.

Meet our Mentors

Why learn from teachers when you can learn from the professionals?

Ivan Alzuro Film Production & Editing Mentor

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Ivan Alzuro Film Production & Editing Mentor

Background

“Unlike the local University, Film Connection sends us committed and focused students. We have turned 1 student into full-time contractor – that says it all!”

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Daniel Lir Film Production & Editing Mentor

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Daniel Lir Film Production & Editing Mentor

Background

Dream Team Directors is a prestigious directorial team founded by Bayou Bennett and Daniel Lir. Their company motto, “Let our dream team manifest your dream”, symbolizes the expansion and positive attention they win for their celebrity and high-profile brand clients and collaborators such as Adidas, MTV, Coldplay, P. Diddy, Smashbox Cosmetics, Atlantic Records, Chrome Hearts, Oscar De La Renta, Oscar nominee Mark Ruffalo, Golden Globe nominee Anthony Mackie, Matt Bennett of the “Big Bang Theory” and Lea Michele of Fox’s “Glee.”

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Rocco Michaluk Film Production & Editing Mentor

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Rocco Michaluk Film Production & Editing Mentor

Background

Michaluk has been creating award winning Film & TV productions for over 15 years. His Film Clients include Columbia Pictures, Indian PaintBrush, PBS, NBC, American Empirical Pictures and Fountainbrush Films. His Television clients include NBC, Television Academy / Emmy’s, MTV, Viacom, E! Entertainment, CBS, ABC, Travel Channel, Leftfield Pictures, PETA, and others.

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Alejandra Huerta Film Production & Editing Mentor

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Alejandra Huerta Film Production & Editing Mentor

Background

Alejandra Huerta specializes in On-Screen Promotions, Executive Presentation Tapes and Sizzle Reels. She started her career with Andromeda in Miami offering Production Services to MTV Latin America as an editor for on-air promotions. She then relocated to New York where she became a successful producer and editor for Viacom and NBC Universal. After her professional experience in NY she relocated to Florida where she continues to manage, produce and edit projects at Andromeda Productions.

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Joaquin Palma Film Production & Editing Mentor

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Joaquin Palma Film Production & Editing Mentor

Background

“The thing I admire most about the program is that it pairs you with people doing the job that you are aspiring to do. In doing that, I feel it gets rid of the “glamour” that people associate with this business, and helps them realize that it is, in fact, A JOB. It takes hard work, a lot of practice and a sincere courtesy towards one’s colleagues to get ahead and stay relevant; not that tired stereotype of the suffering artist that won’t settle for anything less than his vision of perfection! I don’t think they teach you that at traditional film schools.” — Joaquin Franco Palma

Joaquin Franco Palma was born and raised in Los Angeles and is a first-generation American. Having started his career as a production assistant, Joaquin has gone on to become an award winning writer and director of both independent features and TV; most notably, as a staff writer on the Emmy nominated HULU series, EAST LOS HIGH. Aside from writing for the screen, Joaquin is also a published author of fiction and is a youth writing volunteer for the NO CHILD LEFT BEHIND and NOSOTROS ORGANIZATION programs.

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Drew Mason Film Production & Editing Mentor

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Drew Mason Film Production & Editing Mentor

Background

I started getting serious about making videos during summer backpacking trips with my friends between college semesters at Central Michigan University. Shortly after graduating, I was asked to produce a local TV show. I jumped at the opportunity and never looked back. Since then, I’ve produced videos for documentaries, national ad campaigns, and commercials for multinational companies. Recently I was part of a team that produced videos for Lansing’s Silver Bells in the City, and we received an Emmy Award for special event coverage.

My introduction to the business wasn’t with videography; I was a wedding DJ for nearly 8 years. Through this experience, I discovered that weddings are not only among my favorite things to be a part of, but also to film. I love capturing the excitement, love, and energy surrounding them.

When I’m not editing videos – haha, funny joke – I like to make music. In fact, I serenaded my wife Amanda with my ukulele for our first kiss. True story! I also try to get out to the backcountry wilderness with just a backpack from time to time, especially in beautiful northern Michigan.

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David McClain Film Production & Editing Mentor

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David McClain Film Production & Editing Mentor

Background

Credits: Coca Cola, Google, Dateline, Travel Channel, NBC

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Demetria Kalodimos Film Production & Editing Mentor

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Demetria Kalodimos Film Production & Editing Mentor

Background

In 2000, Demetria established Genuine Human Productions, writing, directing, shooting and editing true stories about real people…genuine humans. Demetria Kalodimos has anchored and reported television news for more than 30 years. She’s won some of journalism’s most prestigious awards including 15 regional Emmys, 2 National Headliners and 2 Investigative Reporters and Editors Awards.

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Grant Salisbury Film Production & Editing Mentor

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Grant Salisbury Film Production & Editing Mentor

Background

Over fifteen years post production experience in Orlando—Grant has provided video editorial, 2D & 3D animations, and motion graphics for a multitude of media clients through his post production company, GFX Creative.

Short & Long Format Video Editorial, Event & Theme Park Animations, Infomercials, Broadcast Commercials, Corporate Communications and Interactive Media for The Walt Disney Company, Universal Studios, Sea World, Lockheed-Martin, AAA Insurance, 3M, Siemens, Honda, A&D Medical, Toyota, FedEx and others.

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Jae Macallan Film Production & Editing Mentor

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Jae Macallan Film Production & Editing Mentor

Background

Jae Macallan is the owner, producer, and lead editor for Yoyostring Creative in Seattle, WA., with satalite offices in Portland, OR and San Diego, CA.  Yoyostring produces traditional video as well as animation, 360 VR, live video switching and video mapping. 

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Ron Osborn Film Production & Editing Mentor

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Ron Osborn Film Production & Editing Mentor

Background

“Simply put, there is no better or more effective way to teach anything than one-on-one, mentor to student.  This is what the Film Connection does.” — Ron Osborn

A writer/producer in television for 35 years, Ron has been nominated for 7 Emmys, 3 Cable Ace Awards, and 2 Writers Guild Awards on shows like MOONLIGHTING, THE WEST WING, and the adult animated DUCKMAN.  He has written pilots for every primetime network, numerous cable networks, as well as movies like MEET JOE BLACK; and has developed feature projects with Steven Speilberg, Ron Howard, and George Lucas, among others. .

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Sam Borowski Film Production & Editing Mentor

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Sam Borowski Film Production & Editing Mentor

Background

“The Recording Radio and Film Connection is such an effective program, because it takes the student out of the classroom and puts them in the very field they seek to be a part of. With mentors that actually work in the student’s respective field, they get first-hand knowledge of how everything works and just what to do. I think it’s the best way to get hands-on experience and the lessons learned are very valuable. I also think that the interview process helps to match a student with a mentor that will be right for them.” – Sam Borowski

Directed and produced the feature film, Night Club starring Oscar-Winner Ernest Borgnine, Natasha Lyonne and Paul Sorvino. Wrote and produced the feature-length documentary Creature Feature: 60 Years of the Gill-Man with Oscar-Winner Benicio Del Toro and narrated by 2-time Emmy-Winner Keith David. Also directed and produced the film Maniac.

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John Lafia Film Production & Editing Mentor

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John Lafia Film Production & Editing Mentor

Background

John Lafia is a director and writer, known for Child’s Play (1988), Child’s Play 2 (1990), Man’s Best Friend(1993) and 10.5 (2004)

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Brian Dryden Film Production & Editing Mentor

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Brian Dryden Film Production & Editing Mentor

Background

Clients: The North Face, Cherokee Sports, LSU

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Peter Foldy Film Production & Editing Mentor

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Peter Foldy Film Production & Editing Mentor

Background

“For a fraction of the price of a university course, students of the Radio, Record and Film Connection receive one-on-one consultation and mentoring from a seasoned film professional. It is an opportunity for an exchange of meaningful ideas and for some, even a chance to network, an essential requirement to make an in-road in the film business.”

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Eric Abrams Film Production & Editing Mentor

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Eric Abrams Film Production & Editing Mentor

Background

“Unlike many programs that stress theory over doing, our goal is for our students to have completed a 1st draft of a screenplay or be well on their way in 10 sessions.”
 
Credits I’m proud of: “Married…With Children,” “Gary & Mike,” ‘Live & Maddie,” and an unaired Muppet pilot.

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Monty Mickelson Film Production & Editing Mentor

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Monty Mickelson Film Production & Editing Mentor

Background

Freelance Journalist, Financial Writer, Corporate Communications Copywriter, Writer of Corporate Training and Life Skills Videoscripts, Public Relations Account Manager, Special Events Promotion and Media Wrangling, Award-Winning Published Novelist, and Feature Film Screenwriter.

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Daniela Larsen Film Production & Editing Mentor

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Daniela Larsen Film Production & Editing Mentor

Background

Daniela Larsen is the former CEO of Creative Media Education. She created and expanded education & certifications in Digital Media, Film, Cyber Security, Leadership and Technology. She also developed strategic partnerships in the private and public sector to make this education and training accessible to the public. Finally, she used digital media, documentaries and non profit experience to create opportunities for cause marketing, tell the stories that have real impact and increase the reach of online education to the remotest places in the world. She is currently the Executive Director & Founder of Small Candles Education & Economic Development, the CEO of the Navanas Institute and a Certified Partner for Infusionsoft.

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Ryan E. Heppe Film Production & Editing Mentor

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Ryan E. Heppe Film Production & Editing Mentor

Background

During his tenure at CCH, Heppe was hired by legendary producer David Foster (The Getaway, Short Circuit, The Mask of Zorro) and quickly climbed to the position of Head of Development where he became involved with Foster’s productions: Collateral Damage starring Arnold Schwarzenegger, Hart’s War starring Bruce Willis and Colin Farrell, and The Core starring Aaron Eckhart and Hilary Swank.

As a hyphenate Producer/Director/Writer/Actor, some of Heppe’s work includes: Production of the docu-drama The Magic Was In The Music, a remake of Short Circuit, adaptations of the 80’s television mini-series V and cop series T.J. Hooker, among others. As an actor, he’s starred in such stage productions as You Can’t Take It With You, Life On The Bowery, Dracula and Picnic at Hanging Rock – several of which he directed. In the world of VO, he’s lent his voice to numerous commercials, both national and regional, and performs several characters on the animated series DaGeDar.

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Wade Marshall Film Production & Editing Mentor

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Wade Marshall Film Production & Editing Mentor

Background

Since 2007, Millennium Studios has been servicing productions in Shreveport and throughout Louisiana.

Credits: True Blood, The Expendables 3, Olympus Has Fallen

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Jon Reiss Film Production & Editing Mentor

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Jon Reiss Film Production & Editing Mentor

Background

Named one of “10 Digital Directors to Watch” by Daily Variety, Jon Reiss is also critically acclaimed filmmaker whose experience releasing his feature Bomb It with a hybrid strategy was the inspiration for writing Think Outside the Box Office: The Ultimate Guide to Film Distribution and Marketing in the Digital Era (TOTBO), the first step-by-step guide for filmmakers to distribute and market their films.  He also co-wrote Selling Your Film Without Selling Your Soul and Selling Your Film Outside the US.   He also teaches at the Film Directing Program at Cal Arts.

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Rick Dahl Film Production & Editing Mentor

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Rick Dahl Film Production & Editing Mentor

Background

I’ve written for many of the major studios and networks. My first movie, “Red Rock West,” was nominated for Best Screenplay by the Independent Spirit Awards. 

I think this program is fantastic. I get to spend an hour a week, one-on-one with my students. We read over their material carefully. It affords me the opportunity to dig deep and get into the details of screenwriting – a deceptively complicated craft. We can cover various aspects of formatting, different styles of writing and how they impact the reader – which ultimately determines the filmic outcome and audience sees on screen.

The time allows me to get know my students so that I’m able to help them put some part of themselves into their stories. 

Once you get past the basics, screenwriting is about story. And we all have one to tell. The more personal that is, the more impact it will have.

The terrific thing I get to experience with Film Connection, because of the one-on-one time I have with my students, is the growth they achieve in their writing

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Jana Sue Memel Film Production & Editing Mentor

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Jana Sue Memel Film Production & Editing Mentor

Background

“Students at the Film Connection receive the extraordinary benefit of a one-on-one mentoring relationship with highly experienced industry professionals. What an amazing way to learn your craft. Nothing could be better.” — Jana Sue Memel,

Films Jana have produced have been nominated for eleven Oscars and won three. They have also won Emmy’s, Director and Writer Guild Awards and numerous film festival awards. 

Credits:  So I Married An Axe Murderer, Tough Guys, Down Came A Blackbird, Duke of Groove

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Lawrence Hilton-Jacobs Film Production & Editing Mentor

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Lawrence Hilton-Jacobs Film Production & Editing Mentor

Background

Lawrence Hilton-Jacobs has been one of the most consistent actors in Hollywood and his amazing work has won millions of hearts all over the world. He was born in the year 1953 on 4th of September and this makes his age 61 at this time. At this age he has already been a legendary actor and he will be always remembered for his contributions. He was born in a place called New York City, which lies in New York of United States of America. He belongs to the ethnicity black and nationality American. He is very humble and always carries a smile on his face. He is an extremely tall man as he has a very impressive height of 6 feet 2 inches, which is around 1.87 meters. He went to the university called Wilkes University for his degree. A lot of information on him and his interesting biography can be grabbed from wiki sites like Wikipedia and IMDb.

He has been very motivated in his career and to make the scenes look real he has given many shirtless scenes as well. He has been living a king’s life and all thanks to his hard work and dedication. He has poured perfection in almost all of his work. He has been earning good money also and has his net worth in millions of dollars. He has a net worth of 1 million dollars and this speaks his success story. Videos related to him are absolutely loved in YouTube. It does not seem like he is much into social networking sites like Twitter and Instagram and does not like to upload his pictures in those sites to share them.

After being so popular he has managed to keep his personal life very low profile. It does not seem like he is gay but, as he has not revealed his sexual preference nothing can be said with assurance. He has never talked about his wife and children but he looks like married. If he is not married also he has never revealed the person he is dating right now or his girlfriend. He has never talked about his current affair also if he is having any. It seems like he has not been through divorce.

He has played great roles in TV shows and movies and this has made him who he is today. He played the role of Charles in a movie called Claudine in the year 1974. He played the role of Cochise in a movie called Cooley High in the year 1975. He played the role of Floyd in a movie called The Annihilators in the year 1985. In the year 2004 he played the role of Anthony in a movie called 30 Miles. Other movies to his credits are Nocturnal Agony, Otis, Tamales and Gumbo, Indecent Behavior, L.A Vice, Chance and Youngblood.

He has been superb with his roles in TV shows and series as well. He appeared in a TV show called Welcome Back, Kotter from the year 1975 to the year 1979. Other TV series to his credits are Pointman, Ellen, Moesha and The Jacksons: An American Dream.

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Jim Fogarty Film Production & Editing Mentor

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Jim Fogarty Film Production & Editing Mentor

Background

Jim Fogarty is a writer and producer, known for Waxing Gibbous (2001), Coffee & Donuts (2007) and A Legacy Reborn: The Rebirth of the W.D. Packard Music Hall (2014).

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Dale DeToni Film Production & Editing Mentor

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Dale DeToni Film Production & Editing Mentor

Background

Owner/Producer, Dale DeToni, began his career thirty years ago when he brought his experience and education from some of Chicago’s largest recording studios to Springfield, with the dream of starting his own media production company.

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Damon Crump Film Production & Editing Mentor

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Damon Crump Film Production & Editing Mentor

Background

The Millionaire Matchmaker, Risen, Broke Sky, Aliens on the Moon, Endings, Assault on Waco, Telling Stories: The Comic Book Creators, Big Rich Texas

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Mark Gibson Film Production & Editing Mentor

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Mark Gibson Film Production & Editing Mentor

Background

“As a screenwriting mentor I know that every student like every writer is different.  The Film Connection screenwriting program allows me to work one on one with my students, customizing the curriculum, allowing me to focus on each student’s needs by helping them raise the level of their writing whether it’s their first script or their fiftieth.”

As for credits, I think my two Disney films SNOW DOGS and THE WILD are certainly the most well known. 

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Conrad Denke Film Production & Editing Mentor

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Conrad Denke Film Production & Editing Mentor

Background

“There is no replacement for actual hands-on experience, and The Film Connection provides opportunities to work closely with our production team and learn what it takes to make it in the production business.” — Conrad Denke

Conrad Denke, film producer/director and CEO/owner of Victory Studios has been in the film and video business for over 30 years. He was co-executive producer and director on the PBS series “National Desk.” Denke has worked on feature films including “Assassins” with Sylvester Stallone, “Once Upon a Time in Mexico” with Antonio Banderas and Johnny Depp,  “Santa Who?” with Leslie Nielson, “Boycott” for HBO, “Alone with Her” with Colin Hanks, “Cover” directed by Bill Duke, and “Mr. Warmth: Don Rickels” directed by John Landis. He is currently producing the television series “Band in Seattle” and has several projects in development including “Music for Young People” and “Daredevils and Disasters.”

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Seth Wood Film Production & Editing Mentor

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Seth Wood Film Production & Editing Mentor

Background

Seth has been working in production since 1998 and has a wide range of refined marketing skills.

With abilities in media marketing and advertising, he is an asset to almost any organization. Seth works with companies and agencies all over the US to produce “brand” friendly marketing pieces that actually generate results. Because of his extreme expertise and experience in graphics, photography, video production, and other media marketing solutions, you can get all your products produced at one boutique advertising location… Seth’s office!

Brands promoted with video projects over the past years include: Microsoft, Avaya Telecommunications, Susan G Koman, Texas Instruments, CAE, Evatran, Oster and many more. Check out the full list of production credits on his new leads generating website.

www.SwoodMedia.com

“I work hard, am deadline savvy, and ready to get YOUR job done right.”

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What is the Next Step?

We get it. This isn’t your normal four-year college requiring coursework not associated with your area of interest. We are a post-secondary institution or trade school that's different in its approach. Here's how you can get more info:


Request Information Externship Location Call Admissions

DO YOU HAVE AN IDEA FOR A MOVIE?

A great number of our students come to us because they have an idea for a movie. That’s a great place to start. All great films start with an idea. Film Connection, film directing externship is designed to help you transform your idea into your movie. Here’s how we do it.

THE FILM CONNECTION PATH TO BECOMING A DIRECTOR

The Film Connection believes in another pearl of wisdom from Stanley Kubrick that the "best education in film is to make one." That’s the fundamental core of the Film Connection for film directing—you come to us with your idea for a movie and we teach you and help you implement all the steps necessary to get your movie made. Using the auteur theory of film directing, we do this in three stages.

We pair you with a professional screenwriter—one who has feature film credits—to help turn your idea into a screenplay.
We teach you all the steps in the filmmaking process through our structured curriculum and your time as an extern inside a local film production company. During this part your education you will create a sizzle reel, based on your screenplay for your film.

We set up a pitch meeting with you and film industry people who can fund your movie. You will be armed with your elevator pitch, sizzle reel, budget breakdown, screenplay and guidance from your mentor—all the necessary ingredients to get to your goal of having your film get the green-light.

WHAT DOES A FILM DIRECTOR DO?

The film director is in charge of the creative aspects of a film, ensuring their vision of the story gets to the screen in the face of constant chaos. Are you up to the challenge?
If so, the Film Connection film directing externship can teach you the necessary skills for becoming a professional director. These filmmaking skills include:

  • Storytelling
  • Scene settings and look
  • Working with actors
  • Working with the crew
  • Working with the editor
  • Budget Considerations

STORYTELLING: Without a story, there is no film.

Like everything to do with film, we start with the story. A story has a plot, a cast of characters, a setting, a conflict, and a resolution. Storytelling is relevant in all phases of filmmaking from pre-production to production to post-production. In pre-production, locations and actors get chosen for how well they fit the story. In production, the director strives to obtain the best shots and performances to tell the story. In post-production, the sequence and timing of the shots determine how the story is presented to the audience.

While the Film Connection film directing externship emphasizes all aspects of the storytelling process, from concept through editing, in both its curriculum and our externship process which is hands-on and geared towards practical application, our screenwriting portion of the training is done a bit differently. We pair you with a professional screenwriter, one who has feature film screenwriting credits and experience, to work with you in creating a screenplay based on your idea for a movie. We believe this to be a vitally important part of the process, if for no other reason than that ideas cannot be copyrighted but screenplays can. So get that idea fleshed out and developed into a screenplay you can copyright, fast!

SCENE SETTING AND LOOK: The Magic Behind What’s in a Shot.

This is where you start learning how to utilize the technical aspects of filmmaking to bring magic to the screen. Camera angles, lenses and framing determine what’s in the shot and where the eye goes. Lighting sets the tone and mood for the shot. Sets, props and wardrobe also have their influence. While the director isn’t usually the one to do these things, it’s important that they have a working knowledge of what’s involved, what’s feasible and what’s not, in order to convey their ideas to the people responsible for implementing them.

The Film Connection Film Directing externship contains lessons devoted to cinematography, storyboarding, breaking down your script, pre-production and line producing, all of which are integral to the scene setting and look.

WORKING WITH ACTORS: Getting the Performance You Are Looking For.

It may be an overused phrase, “What’s my motivation?” but this is the essential question actors ask of directors. The director must not only know what the point of the scene is but how each character in the scene presents themselves. The director should be able to answer these questions for each actor for each scene.

  • Who am I?
  • Where am I coming from?
  • Where am I?
  • Who am I with and how do I feel about this person?
  • What do I want from this person?
  • What am I doing to get what I want?

Often, films are shot out of sequence and so the above questions help the actor maintain their place and evolution in the story.
The Film Connection film directing externship devotes an entire lesson to dealing with actors: how to deal with their egos; how to respect their creativity; how to let them know you are in charge; and most of all, how to get the best performance possible out of them.

WORKING WITH THE CREW: Making a Movie Requires an Army

The first thing to realize about your film crew is that they are a different beast. They are more apt to look at their profession as a job, rather than a labor of love like many creatives do. This does not mean they aren’t professional, it’s just that they look at the movie differently than the director does. Treating your crew with respect, recognizing the crew hierarchy and ensuring they are well fed will go a long way towards an on-time, on-budget production.

The Film Connection film directing externship inserts you into a professional film production company as an extern under the guidance of their top filmmaker who serves as your mentor. You will be able to observe first-hand while you participate on shoots and gain experience on how a crew works together, how they are managed and what their roles are in making the film.

WORKING WITH THE EDITOR: We’ll Fix It in Post.

The job of an editor is to assemble the raw footage into a coherent sequence. They do this by selecting, rearranging, and splicing scenes to tell the story that began as a screenplay (the writer’s vision), was captured on film by the director (the director’s vision of the screenplay) and turned into a finished film (the editor’s vision of the director’s vision.) Before editing begins, the director and editor discuss what they want the final product to be and then the editor puts together a rough cut. The director and editor then collaborate on polishing the rough cut into the final cut, adding music and sound effects until they are satisfied it’s ready for its audience.

And just in case you're wondering, the saying, "We'll fix it in post" should not be a new phrase for the aspiring director. Even though fixing it in post is sometimes a necessary remedy it should be considered a last ditch effort. Ideally, the film director wants to confer with his or her DP and editor prior to the shoot to ensure all the necessary shots for the telling of the story are included in the screenplay and shooting schedule. A lack of sufficient "b roll" and takes essentially leaves the director and editor with not enough material to edit together into a cohesive story and flow of scenes. Ever feel like a particular scene in a movie was too short or that it changed abruptly? Lack of footage is probably the reason behind it.

Because the Film Connection film directing externship places you inside a film production company, you will be able to work with an experienced editor and get an understanding by immersion of how the relationship between director and editor works.

BUDGET CONSIDERATIONS: The Business Part of the Art of Filmmaking

At the end of the day, filmmaking is a business, and like all business ventures there is a bottom line and a desire to turn a profit. Every film deals with budgetary concerns about time and money. To arrive at a budget, the director and producer prepare a breakdown which lists all the elements involved in each scene. The line producer then determines the costs involved for each aspect of the breakdown. The finished budget includes above the line (creative talent) costs, below the line (direct production) costs, post-production costs and other (insurance, completion bonds, etc.) costs. Often, creative compromises must be reached for a film stay within budget.

With Film Connection, film directing externship takes you step by step through both the breakdown process and line producing process. By understanding how and what impacts a budget, the director gains the ability to keep the film on-budget and on-schedule.

THE NEXT STEP IS UP TO YOU

If you are serious about seeing your idea for a movie turn into fruition, we invite you to apply to the Film Connection. Because the Film Connection film directing externship gets you started learning in-industry, you’ll spend a lot of time inside a film production company, getting your hands dirty working with the gear, immersing yourself in all phases of filmmaking and gaining valuable on-the-set experience.

Additionally, you will be paired with two mentors to help guide you on your path to success: one will be a director at the local film production company you extern at, the other will be a professional screenwriter. At the end of the courses, we will setup you up in a meeting to people in the film industry who can finance your movie. We will get you primed, prepared and ready to pitch your movie concept at this meeting. If you work hard, are dedicated and passionate, you can do all of this in as little as six months. The Film Connection film firecting training is open enrollment, which means you can start anytime. Are you ready to make your movie?

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