Ultimate Screenwriting Course

Created By Ron Osborn (WGA, DGA, PGA) Exclusively for The Film Connection

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Mastering the Art of Story

Mastering the Art of Story, Your Script & the Business of Writing for Film & TV.

If you are serious about making your Indie Movie, Hollywood Feature, TV Pilot, Professional Pitch, Short Film or you want to write screenplays to sell to studios and producers, you need to get yourself a Masters Level Education in the Art of the Story, the Script and the Cut Throat Business of Moviemaking.

Make no mistake, you cannot do this on your own, there is not an APP for everything and YouTube alone cannot teach you what this course provides: a fast track to knowing what 95% of your competition will never know because they are lazy.

Give us 12 weeks and you will know everything you need to properly conceive, develop write and finish your own screenplay, TV pilot or pitch.  Additionally, you will learn what it takes to survive in the dangerous and often times cut throat and unforgiving business of the Hollywood or Indie screenwriter.

Don’t settle for a YouTube video or weekend course.  If you are serious about making it you need to become THE ULTIMATE SCREENWRITER.
THE GOOD NEWS?  You can get started right now, today, and learn from the legendary Ron Osborn in the comfort of your own home.

My name is Ron Osborne. I’m a screenwriter and I’m going to be taking you through these next 12 lessons that explore the art and the craft and the business of screenwriting. Whether you just want to be a writer, a writer/director, a cinematographer or an editor, writing, or more to the point, thinking and imagination is at the core of filmmaking and the good news is that there’s never been a better time to become a screenwriter. At the end of these 12 lessons you’re going to have all the foundational information you need to write a three act structure. These lessons are designed and ordered in such a way that you can take a simple one line idea and develop it over the coming weeks into a story with the beginning, middle, and end so that when you’re finished you can then develop this further with a mentor and write an actual script that has a better chance of getting read and sold.

Why We Call It Ultimate Screenwriting Course

Can I Make My Own Movie if I Take This Course?

Don’t be fooled by books, YouTube videos and weekend warrior courses. To write a great movie, you need to be a trained screenwriter. No one can do this themselves or DIY it with a book. That’s because screenwriting is like learning an alien language. And that’s why you need a screenwriting course. A course you own, with guidance, a mentor and opportunity. If you go the whole way with us, we give it all to you.

This course will teach you everything you need to get started turning your idea into a screenplay. There are thousands of movies made every few years and most of them are terrible. Every wonder why? Typically, it is because the idea was decent and the screenplay sucked.

Everyone thinks they are screenwriter. They aren’t. To be a good or great writer you must be great at your craft. Your masterclass starts here. We also offer something that no other screenplay course we know of does: we put your finished screenplay in front of a major Hollywood Producer who can greenlight your film.  See the WILL THIS COURSE GET ME PAST THE STUDIO GATEKEEPERS? section for further details.

Ron Osborn’s movies have grossed nearly $500 million worldwide and his television writing has earned him Emmy nominations during the 80s, 90s, and 2000s.

He’s written for television staples like Mork and Mindy, Night Court, Moonlighting, The West Wing, Duckman, and Beauty and The Beast.

Osborn has written pilots for every major broadcast network as well as cable heavyweights HBO, Showtime, FX, MTV, Lifetime, ABC Family, and Disney.

He wrote Meet Joe Black with Brad Pitt and Anthony Hopkins and has developed film projects with Steven Spielberg, Ron Howard, and George Lucas.

In other words, his expertise extends far beyond screenwriting and into the realm of executive producing, Hollywood board rooms and the art of pitching, staying sane and eventually selling your screenplay or getting your movie made.

He has taught screenwriting at the Film Connection Film School, the Art Center/College of Design in Pasadena, CA; California State University in Long Beach, CA; Dreamworks in Glendale, CA, been a consultant for the Australian Film Commission and given screenwriting seminars at the Big Island Film Festival in Hawaii and Whistling Woods in India.

His knowledge, experience, industry connections and his ability to convey them effectively make Ron Osborn uniquely qualified for creating the Ultimate Screenwriting Course.

He taught the art of screenwriting to Michael Bay and Zach Snyder.  He stands ready to teach you.

At the heart of the Ultimate Screenwriting Course are 12 video lectures by Ron Osborn. Each lecture or lesson is approximately 45 minutes that covers one of the 12 essentials to the art of screenwriting.  Each lecture not only clearly explains each of these essentials, but offers anecdotal content drawn from Mr. Osborn’s extensive career in the movie industry as well as delivers insights into the commercial realities of the business that are essential to getting your screenplay funded.

Additionally, there is a supplemental list of recommended reading, films to watch and homework assignments.

The Ultimate Screenwriting Course is taught virtually via streaming video which means you can take this course anywhere in the world.

You have two options to choose from.  The first is the Starter Ultimate Screenwriting Course which includes all 12 lectures from Ron Osborn, along with the recommended reading list, films to watch and homework assignments.

The second is the Mentor Based Ultimate Screenwriting Course which consists of all 12 lectures from the Starter Ultimate Screenwriting Package plus 12 one-on-one private video sessions with Ron Osborn or other prestigious Hollywood screenwriter in which you go over the homework assignments and brainstorm ideas to improve your story idea and screenplay.  Each of these mentor sessions is 90 minutes long.

You will need an internet connection and a computer or smart phone.  You also need the right mindset.  Be prepared to put in the time, energy and dedication it takes to write a script that has a chance of getting read and sold, and thereby breaking into the film industry.  It is great if you have an idea for a movie, but if you don’t, developing an idea for a movie is covered in one of the early lessons.  Some come to us with an idea, others need help developing an idea from their life, childhood, their dreams, etc. Either way we can work with you.

The Starter version of the course includes enough to get you going and has everything that the Mentor Based version has except for the live private sessions. (In other words, the Starter version is video lessons only.) But it is great and inspiring and amazing and will give you everything you need to know as far as information.

What it does not have is the one-on-one interaction and feedback to the homework assignments, the advice and brainstorming of the private mentoring sessions or the guarantee of getting your screenplay in front of Hollywood executives who can green light your project.

However, if you decide to take the Starter version of the Ultimate Screenwriting Course you can always add on the Mentor piece later. However, if you know you want the private mentoring now, we suggest you take it because it is less expensive if you buy it up front. If you’re not sure, then just get the STARTER PACKAGE.

Four reasons:

  1. It’s created by Ron Osborn who has an incredible track record of success and industry connections. He knows how the movie business really works and his insights are significant to your success.
  2. It covers more than just the fundamental steps in writing a screenplay and includes the commercial realities inherent in whether your screenplay gets picked up or not.
  3. It’s more than just a Screenwriting Course, it’s lessons in living, storytelling, moviemaking and it willl inspire you to not only be a better writer but a better human who can makes sense of our complicated world.
  4. It gets your script past the gatekeepers and into the hands of a Hollywood executive who can greenlight your screenplay (if you take the Mentor Based version).

That is the whole purpose of the Ultimate Screenwriting Course.  If you take the Mentor Based version of the course, follow the advice and suggestions of your mentor and put in the time, effort and work that screenwriting demands we will see to it that your screenplay does an end-around on the gatekeepers and gets directly in front of a Hollywood executive for their consideration.

Mentor Based Ultimate Screenwriting Course

Work One On One With Mr. Osborn Or Another Hollywood Pro + Video Workshop

$3,500.00

  • Live Sessions With Ron

Starter Ultimate Screenwriting Package

12 Week Video Workshop All You Need To Know To Write Your Masterpiece

$39.99

  • Access Anytime

Twelve Week Curriculum for the Ultimate Screenwriting Course

Lesson: 1

Lesson 1: Thinking Like a Screenwriter

  • Realities of business/marketplace/competition`
  • Various masters screenplay must serve
  • Importance of an original voice
  • Committing, dedication, scheduling work time, professional presentation of work
Go to lesson
Lesson: 2

Lesson 2: The Essential Needs of the Narrative

  • Aristotle’s POETICS, birth of beginning/middle/end
  • Joseph Campbell and the monomyth
  • Define need/create obstacle, conflict as basis for all narrative
  • Permutations of a protagonist
  • The fallacy of the seven basic plots
  • The importance of emotional connection of narrative to the audience
  • Story as journey…journey as arc…arc as character
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Lesson: 3

Lesson 3: Coming Up With an Idea

  • Starting point, plot idea or character?
  • Opening up to the stories around us. `
  • Adapting vs. public domain and copyright.
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Lesson: 4

Lesson 4: Three-act Structure

  • Revisiting Aristotle’s POETICS
  • Breakdown diagram of the three acts and break points
  • The notion of forward motion and always rising tension
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Lesson: 5

Lesson 5: On theme

  • The importance of the most misunderstood, misused tool in writer’s toolbox
  • The filter through which all story, character, and arc are conceived, and how it unifies your story
  • Examples of theme in three Spielberg films
  • Discuss/deconstruct Aliens through theme of motherhood and gender
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Lesson: 6

Lesson Six: Scenes and Sequences

  • Anatomy and needs of a scene; deconstruct a scene
  • What is the common length of a scene?
  • How one scene builds upon the other (importance of forward motion)
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Lesson: 7

Lesson Seven: On Character

  • Aristotle: character is action; what that means
  • Filtering character and action through theme
  • Building blocks of character
  • Examples from film of physical/sociological/psychological markers
  • Examples of non-traditional protagonists who still connect
  • Importance of a telling, defining entrance of protagonist, and how that does so much work for the rest of the script
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Lesson: 8

Lesson Eight : Dialogue Exposition

  • The three essential narrative tools
  • Dialogue, Text vs Subtext, and Exposition
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Lesson: 9

Lesson Nine: Point of View

  • Through whose eyes/ears/attitude story is best served and why this is important
  • How choice reflects theme. Omniscient vs. subjective P.O.V.
  • Multiple first person subjective P.O.V.
  • Unreliable narrator in P.O.V.
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Lesson: 10

Lesson Ten: Comedy vs. Drama

  • The needs of structure, character and story arc, theme, etc. in comedy vs. drama
  • Why comedy is closer to tragedy than drama
  • The surprising lack of taboo in comedy, how and why it distances audiences from subject matter that would otherwise horrify them
  • Why absurdity needs to be grounded in reality
  • The key to romantic comedy and why currently it is moribund
  • Ten tips on writing comedic characters and humor
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Lesson: 11

Lesson Eleven: Writing Genre and High Concept

  • Why genre is an evergreen of film history
  • What genre is and isn’t; its identifiable tropes, and breakdown of genres and sub-genres
  • The market factors of writing genre and how it impacts story
  • Understanding/recognizing the tropes of genre
  • Balance between audience expectations (tropes they want) and establishing your own voice (tropes you play against)
  • The evolution of a genre – the gothic novel – and how the tropes evolved to redefine the genre
Go to lesson
Lesson: 12

Lesson Twelve: Proper Screenplay Format

  • Why proper screenplay format is important. No one wants to read your script.
  • Translating story into proper script format
Go to lesson

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